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Chapter 6. Breathe under water – Bachelard and the depth of hermeneutics (Part 1)

Bachelard’s famous works on elements and poetry (fire, earth, wind and water) embark a method of re-reading, which should be like  “to take re-soundings like sonar, sounds of the depths. He explains that, by participating in the resonances, we hear the poem. Its repercussions invite us to give greater depth to our experience. Once gathered […]

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Chapter 5. Subject-disoriented ontology

For hermeneutics the human male subject is the first actor to read, think and write. It is a complete and perfect loop of production and reception1. Therefore, dark hermeneutics as an object-oriented deconstructive technique of reading, thinking, and writing, as inhale, gap, exhale metaphorized, has to have a dis-oriented subject, or not a subject at […]

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